The Ensoniq Mirage DMS-8 v2 is a vintage digital synthesizer and sampler released by Ensoniq in 1985. It was the first instrument to feature both sampling and synthesis capabilities in a single unit. The DMS-8 v2 was capable of storing up to 8MB of...
The module consists of three independent function blocks: Glide - the limiter (or portamento, or lag-processor). The "TIME" knob adjusts the rise time of the signal.Sample & hold - contains an analog noise generator and a sample&hold circuit. The...
Crush is an analog bitcrusher, an effect that simulates the degradation of a signal when the sample rate decreases. The effect is based on the quantization of a signal with a specified frequency, which is set manually or via CV input. The ratio of the...
The Buchla 225h is basically 202h module with the only difference: the "pulse conv" block is replaced with the "MIDI outputs" block. The converter allows you to convert a MIDI signal into control signal (pitch, note on, bend, mod wheel, aftertouch,...
The Akai S1000 represents a significant advancement in digital sampling technology, following the success of Akai's 12-bit S900, which had established itself as the studio-standard sampler. Released in late 1988, this new 16-bit stereo sampler aims to...